Starred review from November 3, 2008
Signature

Reviewed by
Megan Whalen Turner
If there really are only seven original plots in the world, it's odd that “boy meets girl” is always mentioned, and “society goes bad and attacks the good guy” never is. Yet we have Fahrenheit 451
, The Giver
, The House of the Scorpion
—and now, following a long tradition of Brave New Worlds, The Hunger Games
.
Collins hasn't tied her future to a specific date, or weighted it down with too much finger wagging. Rather less 1984
and rather more Death Race 2000
, hers is a gripping story set in a postapocalyptic world where a replacement for the United States demands a tribute from each of its territories: two children to be used as gladiators in a televised fight to the death.
Katniss, from what was once Appalachia, offers to take the place of her sister in the Hunger Games, but after this ultimate sacrifice, she is entirely focused on survival at any cost. It is her teammate, Peeta, who recognizes the importance of holding on to one's humanity in such inhuman circumstances. It's a credit to Collins's skill at characterization that Katniss, like a new Theseus, is cold, calculating and still likable. She has the attributes to be a winner, where Peeta has the grace to be a good loser.
It's no accident that these games are presented as pop culture. Every generation projects its fear: runaway science, communism, overpopulation, nuclear wars and, now, reality TV. The State of Panem—which needs to keep its tributaries subdued and its citizens complacent—may have created the Games, but mindless television is the real danger, the means by which society pacifies its citizens and punishes those who fail to conform. Will its connection to reality TV, ubiquitous today, date the book? It might, but for now, it makes this the right book at the right time.
What happens if we choose entertainment over humanity? In Collins's world, we'll be obsessed with grooming, we'll talk funny, and all our sentences will end with the same rise as questions. When Katniss is sent to stylists to be made more telegenic before she competes, she stands naked in front of them, strangely unembarrassed. “They're so unlike people that I'm no more self-conscious than if a trio of oddly colored birds were pecking around my feet,” she thinks. In order not to hate these creatures who are sending her to her death, she imagines them as pets. It isn't just the contestants who risk the loss of their humanity. It is all who watch.
Katniss struggles to win not only the Games but the inherent contest for audience approval. Because this is the first book in a series, not everything is resolved, and what is left unanswered is the central question. Has she sacrificed too much? We know what she has given up to survive, but not whether the price was too high. Readers will wait eagerly to learn more.
Megan Whalen Turner is the author of the Newbery Honor book
The Thief and its sequels,
The Queen of Attolia and
The King of Attolia. The next book in the series will be published by Greenwillow in 2010.

Starred review from November 1, 2024
Once more into the fray...but with pictures! Readers are invited to revisit Panem, a fascist country "that rose up out of the ashes of a place that was once called North America" and is run by an elderly totalitarian dictator. The harmful, long-reaching influence of reality television is on full display in this excellent read that remains as relevant to modern audiences as when the novel was originally published in 2008. While Katniss Everdeen, the selfless and determined young hero from a region that's strongly reminiscent of Appalachia, is the star of that world, the star of this edition is Delort, whose scratchboard art deftly imagines memorable scenes throughout the story while avoiding influences from the film series. These illustrations are new and wholly themselves, and the book's large format shows them off to great advantage. The black-and-white art brings a hefty weight to the poverty and despair of District 12, the poorest sector of Panem, while at the same time capturing the affected excesses of the Capitol and its citizens. Delort's talent is fully evident when capturing Katniss in her fire-tinged dress; readers will be able to feel the heat thanks to the dazzling interplay of positive and negative space. Fans of Barry Moser, take note: There's a new tribute in town. Vivid and well worth a look from new and returning fans alike.(Dystopian. 12-18)

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