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Alphamaniacs
Cover of Alphamaniacs
Alphamaniacs
Builders of 26 Wonders of the Word
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Are you a word person? A curiosity seeker? An explorer? Take a look at these twenty-six extraordinary individuals for whom love of language is an extreme sport. Step right up and read the genuine...
Are you a word person? A curiosity seeker? An explorer? Take a look at these twenty-six extraordinary individuals for whom love of language is an extreme sport. Step right up and read the genuine...
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Description-

  • Are you a word person? A curiosity seeker? An explorer? Take a look at these twenty-six extraordinary individuals for whom love of language is an extreme sport.
    Step right up and read the genuine stories of writers so intoxicated by the shapes and sound of language that they collected, dissected, and constructed verbal wonders of the most extraordinary kind. Jean-Dominique Bauby wrote his memoirs by blinking his left eyelid, unable to move the rest of his body. Frederic Cassidy was obsessed with the language of place, and after posing hundreds of questions to folks all over the United States, amassed (among other things) 176 words for dust bunnies. Georges Perec wrote a novel without using the letter e (so well that at least one reviewer didn't notice its absence), then followed with a novella in which e was the only vowel. A love letter to all those who love words, language, writing, writers, and stories, Alphamaniacs is a stunningly illustrated collection of mini-biographies about the most daring and peculiar of writers and their audacious, courageous, temerarious way with words.

About the Author-

  • "Step into the wood-shingled house I grew up in, and into the past. You find us gathered in the living room, listening to my writer father, Sid Fleischman, reading his latest chapter aloud. Outside, the breeze off the Pacific, ten blocks away, streams through the fruit trees my parents have planted and rustles the cornfield in our front yard — the only cornfield in all of Santa Monica, California."
    Scant surprise that Paul Fleischman grew up to write Weslandia, about a grammar-school misfit who founds a new civilization in his suburban backyard, built around a mysterious wind-sown plant. A taste for nonconformity and a love of the plant world run through many of his books, including Animal Hedge, in which a father uses a clipped shrub to guide his sons in choosing their careers.
    "My mother plays piano, my father classical guitar. From upstairs that evening comes the entrancing sound of my sisters playing a flute duet. The house resounds with Bach, Herb Alpert, Dodgers games, and Radio Peking coming from my shortwave radio."
    From that musical, multitrack upbringing came Joyful Noise: Poems for Two Voices, winner of the Newbery Medal, and Big Talk, its sequel for a quartet of speakers. It's also the source of the author's madcap play, Zap, a theatrical train wreck of seven simultaneous plays, the result of a stage company's attempt to compete with TV.
    "My father's interest in things historical has led to the purchase of a hand printing press. We've all learned to set type. I have my own business, printing stationery for my parents' friends. I read type catalogs along with Dylan Thomas and Richard Brautigan."
    History has informed many of Paul's books, from the colonial settings of his Newbery Honor book Graven Images, inspired by his years living in a two-hundred-year-old house in New Hampshire, to the newly updated Dateline: Troy, which juxtaposes the Trojan War story with strikingly similar newspaper clippings from World War I to the Iraq War.
    "An old issue of Mad magazine sits on a table, along with a copy of the Daily Sun-Times and Walnut, the satiric underground paper I started with two friends, which landed us in the dean's office today—again."
    What better education for the future author of A Fate Totally Worse Than Death, a wicked parody of teen horror novels,? Or for the visual humor of Sidewalk Circus, a wordless celebration of how much more children see than their elders?
    "Thirty-five years later, I still draw on Bach, living-room theater, the look of letters on a page, and still aspire to the power of a voice coming from a radio late at night in a pitch-black room."

Reviews-

  • Publisher's Weekly

    January 27, 2020
    With a ringmaster’s rhetorical flourishes, Fleischman invites readers to step right up and be dazzled by 26 “imaginers tinkerers” who explore “the airy land of letters.” Readers encounter Daniel Nussbaum’s PL8SPK (translating literary works using the vocabulary of vanity license plates); Doris Cross’s artful erasures, which turn dictionary pages into poems; Wompanoag Jessie Little Doe Baird’s heroic reclamation of a vanished language; and Jean-Dominique Bauby’s astounding communications following a stroke, delivered with the flick of an eyelid. Other subjects include a verbal prankster who has crafted a whole novel without an E and an obsessive scanning texts for secret messages. Each individual is given a brief chapter recounting their word-related exploits, interleaved with colorful, collaged illustrations by Sweet that look like stray pages from an artist’s overstuffed sketchbook, incorporating relevant quotes and amplifying Fleischman’s themes of abundance and possibility. A unique amalgam, one that will charm many. Ages 12–up.

  • Kirkus

    February 15, 2020
    Fleischman profiles a merry, idiosyncratic (and by no means comprehensive) selection of 26 (of course) philologists, linguists, etymologists, and gamesters who have tinkered with letters, words, and books in surprising and entertaining ways. None featured was born more recently than 50 years ago. Most are white. Three women are profiled, including Wampanoag linguist Jesse Little Doe Baird, whose work revived the Wôpanâôt8âôk language of her ancestors. Fleischman also includes chapters about typographical artist and poet Mary Ellen Solt, Klingon language inventor Marc Okrand, "stylometrist" David Wallace (who used a computer to analyze the writing styles of the authors of the Federalist Papers), obsessive diarist Robert Shields, and Georges Perec, whose "erotic" (a word that goes undefined) novella Les Revenentes uses no vowels but "e." Sweet's illustrations accompanying each three- to five-page profile provide a beautiful pacing and design for the book, with precisely detailed backgrounds that often incorporate lined paper; maps and diagrams and cartoon interpretations that are both amusing and elucidating; and splashes of her signature warm reds and pinks that energize here and calm there. The ebullient charms both of Fleischman's breezy accounts and of the work of those profiled are considerable but possibly not universal. Yet for anyone who enjoys words, or books themselves, there's much to love here in the catalog of serious and silly ways in which language and letters have been deployed, reworked, analyzed, and improved on. The backmatter includes source notes and a list of resources for "Further Entertainment." Marvelously diverting. (Nonfiction. 10-14)

    COPYRIGHT(2020) Kirkus Reviews, ALL RIGHTS RESERVED.

  • School Library Journal

    April 1, 2020

    Gr 7 Up-Fleischman describes the accomplishments of 26 (one for every letter of the alphabet) inventors of systems having to do with language, words, etymology, linguistics, dialects, books, and as the author would put it, verbal wonders. The collective biography includes Daniel Nussbaum, an author who developed a language based on California vanity license plates; Jean-Dominique Bauby, a French journalist who suffered a major stroke and taught himself to write using only an eyelash; Jessie Little Doe Baird, a Native American linguist who worked to revive her Wampanoag language; Marc Okrand, the inventor of Klingon language (of Star Trek fame); Frederic Cassidy, editor in chief of the Dictionary of American Regional English; and Doris Cross, a painter who repurposes dictionaries with pictures linking words on opposite sides of the pages. While they hail from different backgrounds, these writers and word lovers find joy in experimenting with language. There are dreamers like Robert McCormick (who tried to standardize English spelling) and Ludwik Zamenhof (whose quest for a universal language resulted in Esperanto). Sweet's illustrations gracefully complement the text and demonstrate the prevalence of images in our modern world. Back matter offers websites and books that expand on the very short entries for each subject. VERDICT In an age driven by images, this book is an anomaly. Its audience is language lovers. Even though Fleischman's gushing writing style gets in the way of his own love for the subject, the book has unusual appeal and is beautifully produced.-Patricia Aakre, P.S. 89, New York

    Copyright 2020 School Library Journal, LLC Used with permission.

  • Booklist

    March 1, 2020
    Grades 8-11 In this collection of brain-tickling tales, words are presented as more than mere devices for relaying information. To Fleischman, they are also malleable objects of visual and audial wonder, which he illustrates by introducing 26 wordsmiths, poets, artists, and lovers of language who made their mark on history through remarkable creative endeavors. Included are Jean-Dominique Bauby, who composed sentences by blinking a single eyelid; Marc Okrand, inventor of the Klingon language; and Mary Ellen Solt, creator of spectacular concrete poetry? poems that also look like their subject. The stories?covering mostly white men from the twentieth century?are told in a playful, conversational style, supplemented by Sweet's gorgeous mixed-media illustrations that, along with an attractive layout and high-quality paper, result in a beautiful object of a book. Unfortunately, anecdotes often rely on historical and literary context that the target audience may be missing. As Fleischman attempts to connect with younger generations?referencing YouTube but also iPods?he misses the opportunity to highlight perhaps the biggest influencers of linguistic evolution: teenagers. Still, an alluring gift for dedicated word nerds.(Reprinted with permission of Booklist, copyright 2020, American Library Association.)

  • Kirkus

    Starred review from February 15, 2020
    Fleischman profiles a merry, idiosyncratic (and by no means comprehensive) selection of 26 (of course) philologists, linguists, etymologists, and gamesters who have tinkered with letters, words, and books in surprising and entertaining ways. None featured was born more recently than 50 years ago. Most are white. Three women are profiled, including Wampanoag linguist Jesse Little Doe Baird, whose work revived the W�pan��t8��k language of her ancestors. Fleischman also includes chapters about typographical artist and poet Mary Ellen Solt, Klingon language inventor Marc Okrand, "stylometrist" David Wallace (who used a computer to analyze the writing styles of the authors of the Federalist Papers), obsessive diarist Robert Shields, and Georges Perec, whose "erotic" (a word that goes undefined) novella Les Revenentes uses no vowels but "e." Sweet's illustrations accompanying each three- to five-page profile provide a beautiful pacing and design for the book, with precisely detailed backgrounds that often incorporate lined paper; maps and diagrams and cartoon interpretations that are both amusing and elucidating; and splashes of her signature warm reds and pinks that energize here and calm there. The ebullient charms both of Fleischman's breezy accounts and of the work of those profiled are considerable but possibly not universal. Yet for anyone who enjoys words, or books themselves, there's much to love here in the catalog of serious and silly ways in which language and letters have been deployed, reworked, analyzed, and improved on. The backmatter includes source notes and a list of resources for "Further Entertainment." Marvelously diverting. (Nonfiction. 10-14)

    COPYRIGHT(2020) Kirkus Reviews, ALL RIGHTS RESERVED.

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    Candlewick Press
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Builders of 26 Wonders of the Word
Paul Fleischman
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